It has come to my attention, courtesy Mitch Silverman, that many of you are not getting your recommended daily allowance of comics, collected edition or otherwise. So, I made some hot chocolate and confronted the need. Seems like it always goes easier with hot chocolate.
First, let's nail down our terminology: a "graphic novel" is simply a bigger or fatter comic book. It's basically marketing terminology popularized during the late 70s and early 80s. "Trade paperbacks" are collected versions of comics that originally were released as single "floppy" issues, direct to newsstands and comic stores, and the term has been appropriated to refer to all of these collections, hardback or not. Understood? I personally detest both terms as neither is strictly accurate, or indeed, very descriptive, and typically use "comics" to describe all of it, regardless of size or reprint status. Granted, "comics" is also not very accurate or descriptive, but it's traditionally used, has precedent, and when I say it, you know what the fuck I mean.
Additionally, I'm skipping right over Watchmen, because if you're ignorant of that it's your fault, and Dark Knight, because it's slightly overrated. Frank Miller is awesome, but he told a better story - though less fantastically - in Year One than he did in Dark Knight. Or its half-crappy sequel. Here's a list. It's not THE list, by any stretch, but it's certainly long enough for you to begin to deal with. Without further crapping around, then; here are some things you can count on being at least interesting the next time you're standing in a comic store and thinking, "I could call Garrett on my cell and ask him what I should get but he hates the phone and might not answer."
1602 - Neil Gaiman, Andy Kubert and Richard Isanove start the Marvel Universe characters you're familiar with - Spider-Man, Hulk, Daredevil, Thor, the Fantastic Four, Dr. Strange, Nick Fury - in Elizabethan England and the New World. You don't need a big comics background to think this is an awesome story.
Astonishing X-Men (1st four) - Joss Whedon and John Cassaday make the best X-Men I've read since I started reading it in 1980. These four volumes - Gifted, Dangerous, Torn and Unstoppable - are how the X-Men ought to act, how they ought to be treated (as characters and by the antagonists), and what they ought to look like. Like 1602, you'll get more out of it if you've been an X-Men fan for awhile, but you'll still like it even if you aren't. Isn't that true of almost everything?
Batman: Ego - Darwyn Cooke's exploration of Batman's psyche, motivations, and origin. Sharp.
Batman: The Long Halloween - as with anything by Jeph Loeb, this meanders all over the place, but he makes it work sometimes, and this is one of those times. Tim Sale's art you'll recognize from Heroes, if you ever watched that, and this has all the elements of a nice, creepy Batman story - lots of good characters, and timely, too.
Batman: Year One - the front cover of the first issue of this tells you everything you need to know about Batman; young Bruce Wayne, alone in spotlight, between the corpses of his parents. Mazzucchelli's images are stark right when they need to be, and without Frank Miller's writing in this, there'd have been no Chris Nolan Batman movies.
Captain America: Red, White & Blue - Many different takes, some completely bizarre, on Cap. An anthology rather than a complete story, with varied narrative and art approaches.
Daredevil: Guardian Devil - Kevin Smith's Daredevil, and the storyline that elevated Daredevil from a B-List character to someone you'd actually want to read more about. Ending's a little off, but the dialogue is spot-on (it's Kevin Smith, duh) and Quesada's Man Without Fear is really entertaining to look at. Black Widow's not half bad, either.
Dr. Strange: The Oath - an underrated and missed story about friendship and magic. Good Dr. Strange mojo here.
Elektra: Assassin - Miller again, but the big thing here is Sienkiewicz's mind-blowing collage art that makes you feel like you ingested something illegal before story's beginning. Non-linear and nonsensical storytelling push the envelope on this, but it's worth it if you push through.
Fantastic Four: Imaginauts - Mark Waid understands why the FF is cool, and his story, together with Mike Wieringo's art will make you wish you lived in the Baxter Building.
From Hell - the densest of the dense Alan Moore, with Eddie Campbell art that looks like it was done with white paint and fingernails on black paper in some places. Disturbing and dark, complete with biology and history lessons; looks like a fucking phone book, and is almost as easy to get through.
Fun With Milk and Cheese - a collection of Evan Dorkin's Milk and Cheese. If I have to sell it, it's not for you.
Global Frequency (both volumes) - Warren Ellis and 12 different illustrators, one per mission of the Global Frequency, an organization dedicated to matching just the right operatives to the crisis du jour, dealing with the "unexploded bombs of the 20th century." Uneven art, for obvious reasons, but the selected artists' styles tend to match the feel of the story in a most excellent way.
Iron Man: Extremis - Mr. Warren Ellis again, telling the Iron Man story that made the character a hot property again, and Adi Granov, giving us the best looking suit of Iron Man armor since the "Golden Avenger" suit from the 80s, and the one that informed the movie armor. It's a Warren Ellis story with Iron Man in it, so be ye not afraid. Can be read standalone, no other stories required.
JLA: Earth 2 - Grant Morrison and Frank Quitely give us Earth 2, a place so repugnant because of the very nature of what it is. The Justice League has counterparts in the Crime Syndicate, and the coolest Martian Manhunter sequence ever is in this thing. The coolest is in Terra Incognita, so you might consider getting that, too.
JLA: Heaven's Ladder - Mark Waid's exploration into religion and the origins of the universe, using the Justice League. Ever wondered what spirituality is like for Wonder Woman's people? What about Atlanteans or speedsters? Martians? Bryan Hitch's alien stuff is actually awesome in the old school sense of the word, but this book is huge and thin and flat, like a comic coffee table book. Max & I both loved it.
JLA/JSA: Virtue and Vice - reads VERY old school, and definitely not for everyone, but a beautifully told story with like, everyone in it. Actually, the "everyone" thing will be distracting for a noob, but I think this is well-illustrated and expressively told - definitely worth a read.
Nextwave: Agents of H.A.T.E. - Warren Ellis and Stuart Immonen parody the Marvel Universe. Funniest superhero comic, possibly ever. Volume two is called I Kick Your Face. I think that should be all you need.
Preacher (all) - Garth Ennis and Steve Dillion created an epic story that started now 15 years ago, and incorporated all of the pop-culture elements that have found their way back into the public eye. Some of the best characters (Tulip, especially) that you will ever read, and if volume 7 feels like you're veering off into odd territory, don't worry - you'll come back and it'll REALLY be worth it.
Red - the 3 issues that spawned the forthcoming movie are dark, distressing, and like blunt force trauma in your eyes. They're also excellent. Get a collected version, and it won't matter if you read it before the movie or not - they're so different.
Spider-Man: Fearful Symmetry - Back in the 80s, Marvel fucked with the heads of fanboys by throwing this at us. Just read it, and see if you think Spidey is the clean whistle character you thought he was.
Spider-Man: The Other - the word "reboot" gets thrown around a lot when it comes to superguys - this takes it in a whole new direction. I find this story compelling even though I'm not sure that I like it. I think what it does do, it does very well. Different writers and artists on this one, and that can be annoying, but you muscle through. You muscle through.
Superman for All Seasons - more Jeph Loeb and Tim Sale, but more focused this time. Sale's backgrounds here are just nuts. They're incredible, and this is a paced story, slowly told, and told by different people. This has recently migrated into Max's room, and he reads it over and over.
Thor, Vol. 1 - Thor is back, and not lame. I simply love this Thor arc, it made me remember why I used to like Thor when I was a kid. All of the Marvel mythology of Thor is wrapped up in a bow here, as this is a (sigh) reboot of the character, all the characters, Asgard, the whole ball of Uru. Give it a try.
Transmetropolitan (all) - Ha. Mssrs. Ellis and Robertson make one of the best comics ever, featuring one of the most uncompromising characters in all of literature, Spider Jerusalem. Nine volumes of good shit which is relevant all the time. Get these now.
Trinity - Superman, Batman, Wonder Woman. All in one story, that ranges all over. Not good just for that, but also because it evokes an early time and kind of storytelling, and also deals with Clark, Bruce, and Diana as people. One of my personal favorites.
Umbrella Academy (both) - I had no intention of liking this, but these stories are the weirdest kind of random bullshit in all of the best kinds of ways. You'll instantly dig their universe.
Now that you're done reading, go read!
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